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Started Jul 1, 2015
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STEVEN WOLOSHEN: PLEASURE AND PROVOCATION
The films of Montréal-based filmmaker Steven Woloshen remind us what a pure pleasure animation can be, while at the same time opening the field up to ideas and methods that remain unexplored in most animation. Woloshen first made his presence known with a series of promising short 16mm films in the early 1980s. These introduced the fundamental techniques and stylistic traits that he would explore in later work: abstract “direct” or “cameraless” animation; a close parallel relationship between source music and image; the combination of abstract graphics with linguistic signs; the visual contrast of hard-edged shapes against more organic curvilinear forms; extremely brief visual phrases leading into longer, more stable ones; and intense splashes of color set against neutral black or white lines and shapes. (“Direct” or cameraless” animation, the field out of which Woloshen’s entire practice grows, encompasses an open-ended set of techniques in which an artist works directly on the film strip, adding to it with inks, paints or dyes, adhesive tapes or transparent objects, or etching into the emulsion with sharp implements.)
Following a hiatus of more than a decade, during which he worked in various capacities in the film industry, on-set and in the laboratory, Woloshen returned to his own filmmaking in the late 1990s. It’s clear that his years working in the commercial industry were far from wasted: Woloshen’s films “post-hiatus” are extraordinarily assured, showing enormous progress in aesthetics, graphic technique and understanding of lab processes. In a series of extraordinarily accomplished 35mm Cinemascope films that quickly became worldwide festival favorites – including Get Happy (1999), Ditty Dot Comma (2001) and Bru Ha Ha! (2002) – Woloshen showed that he had honed his basic tools to a fine point. These films express the joy of music, movement, color and shape, in the tradition of direct animation pioneered by Len Lye, Norman McLaren and Harry Smith.
Soon Woloshen began to explore new paths as well. Too restless and experimental a spirit to be satisfied solely with the creation of these delightful abstract entertainments, he began to develop hybrid forms combining his advanced direct animation techniques with other forms of filmmaking. Moving and mysterious films such as The Babble On Palms (2001) and Two Eastern Hair Lines (2004) marry animated graphics with traditional cinematographic images, while a recent “archaeological” series that includes Chronicle Re-Constructions (2008) explores the organic decay of film emulsion. The Cave (2001), a one-off experiment, attests to a conceptual interest in film as an object: unlike most films, The Cave exists only as a single hand-made original, subject to gradual deterioration through repeated projection. Phont Cycle (2006) returns to the use of arbitrary linguistic signs from early films such as Son of Dada (1982). Here, the Tibetan letter “AH” appears from a central point, the lines flowing down and outwards like lava flows, then retracting upwards to leave the screen black. This gesture, like breathing, is repeated over and over, but the colors and textures of the letter change with each iteration, so that the film’s insistent repetition is also inflected by differentiation.
As Steven Woloshen’s work has become more diverse, it has become clear that he is an artist concerned not only with abstraction and animation, but also with essential questions about different forms of representation and signification. To watch Woloshen’s films is, first, to experience the pleasure of filmmaking engaged in a virtuoso play with its most basic elements. But the range of his work, and the divergent paths along which it has moved, show an inquisitive mind, curious to see how fundamentally different modes of graphic expression can be brought into play, into meaningful tension, in a single work of art.
– Chris Gehman
Filmography (1977 - 2023):
Montreal born artist, Steven Woloshen (BFA, MFA Studio Arts) has been passionately creating short abstract films and time-based-art installation pieces since 1977. He has been invited to show his work, has lectured on the subject of handmade analogue film techniques and has been commissioned to create unique films for artist - run centers, international film festivals and galleries. In 2010, he published his first book on the subject of decay, archiving and handmade filmmaking techniques, titled “Recipes for Reconstruction: The Cookbook for the Frugal Filmmaker.”
Experimental short film and Installation titles: 1977 - 2019
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Brushstrokes (1977)Line and Dot (1978) Son of Dada (1982)Cat’s Cradle (1982)Didre Novo (1983)You’re No Fun... (1983)Hey Papa Dey (1983)Pepper Steak (1984)Love Stinks (1984)Los Endos (1996)Get Happy (1999)MeMeMaMa (2000)Ditty Dot Comma (2001)The Cave (2001)The Babble On Palms (2002)Bru Ha Ha! (2002)Cameras Take Five (2003)Minuet (2003)Two Eastern Hair Lines(2004) Shaving Shania (2004)SNIP (2004)The Curse of the Voodoo Child (2005)Rebuttal (2005)Changing Evan (2006)Phont Cycle (2006)Shimmer Box Drive (2007)A step-by-step guide to... (2007)RH Factor (2008)Chronicle Reconstructions (2008)Scrapbook (2008)Optical Itzak (2008)La Dolce Vita (2008)Editorial (2009)The Homestead Act (2009)Fleeing Rotland (2009)Vista(2009) Zero Visibility (2009)Playtime (2009)Try to remain calm (2010)2010Melbourne Festival Trailer The Rossetta Stone (2010) Fiesta Brava (2011) Visual Music for Ten Voices (2011)When the Sun Turns into Juice (2011)Free Speech (2012)Frobisher Bay (2012)Crossing Victoria (2013)Where The sidewalk Ends (2013)35 Below/Stars Above (2013) The Lost World (2013) 1000 Plateaus (2004 – 2014) (2014) VTIFF 2015 Signal Film (2015) Implosion( 2016) Apparent Wind (2016) VTIFF 2016 signal film (2016) Casino(2016) A National Tapestry (2017) This shadow, over each departure (2018) The Dead Sea Scrolls( 2018) Objects Within (2018)Father Knows Father Best (2018) Rhythm in the Backstroke ( 2019) Organic ( 2019) Perf Dance ( 2022)
Galleries and Museums exhibitions:
@Gallery Hamilton Media Arts Centre Uxbridge Arts Festival Sudbury Art Gallery Reina Sofia Museum Ed Video Media Arts Centre Museum of Fine Arts Houston International House FOFA Gallery The Robert McLaughlin Gallery Christopher Cutts Gallery Satellite Gallery Saw Gallery Art Mur The Barbican Gallery
Film Festivals screenings:
Oberhausen Short Film Festival Montreal World Film Festival Tampere Int’l Short Film Festival Annecy Animated Film Festival Images film Festival Arte TV European Media arts Festival Rotterdam Int’l Film Festival Ottawa International Animation Festival Hamburg International Short Film Festival Zagreb international Animation Festival Leipzig Film Festival 25 FPS Festival Nouveau Film et Media Ann Arbor Film Festival VIS Toronto International Film Festival
Awards and Recognition:
2016 Conseil des arts et des lettres du Quebec – Travel grant
2016 Prix René Jodoin Lifetime Achievement Award – Cinematheque Quebecoise/ Les sommets du cinema
Canada Council for the Arts - research and creation grant
2015 Conseil des arts et des lettres du Quebec – Travel grant
2015 Wiesbaden Cultural Award Prize - lifetime achievement award.
Canada Council for the Arts - Travel Grant
Animatou Animation Festival - Best Editing - "1000 Plateaus"
Canada Council for the Arts - Travel Grant
2014 Audio Z award for best sound – Prends sa court/RCVQ - Crossing Victoria
Artistic Director’s award – Festival Etuide & Anima _Poland – 1000 Plateaus
Best abstract film in session - Melbourne Int’l Animation Festival – 1000 Plateaus
CFI award -Best Canadian short animation - 1000 Plateaus
Conseil des arts et des lettres du Quebec - promotion grant
Conseil des arts et des lettres du Quebec – Travel grant
Canada Council for the Arts - Travel Grant
2013 Main Film - Film Factory residency
Conseil des arts et des lettres du Quebec - Travel Grant
Canada Council for the Arts - Travel Grant
Ottawa Animation festival - Honorable Mention Crossing Victoria
2012 Sodec - Travel Grant
2011 Canada Council for the Arts – Research and Creation Grant
Punto y Raya/Dot and Line festival – Honorable Mention – Visual Music for 10 Voices
Canada Council for the Arts – Travel Grant
Conseil des arts et des lettres du Quebec - Travel Grant
Vienna Independent Shorts Film Festival – Special Mention Playtime
2010 Conseil des arts et des lettres du Quebec - Research/Creation Grant
Conseil des arts et des lettres du Quebec - 2 Travel Grants
Canada Council for the Arts – Travel Grant
Ottawa Animation festival - Honorable Mention Playtime
Jutra Nomination for best Animation: Playtime
2009 Incendo Production Scholarship – Concordia University.
Conseil des arts et des lettres du Quebec - Travel Grant
Toronto Animated Image Society Commission – Playtime
2008 GBC Asset Management Scholarship - Concordia University
Conseil des arts et des lettres du Quebec - Research/Creation Grant
Conseil des arts et des lettres du Quebec - Travel Grant
2007 Avi and Dora Morrow Fellowship Award - Concordia University
Conseil des arts et des lettres du Quebec - Travel Grant
Main Film Commission - A Step By Step Guide To...
2006 Ottawa Animation festival - Honorable Mention Changing Evan
Jutra Nomination for best Animation: The Curse of the Voodoo Child
Department of Foreign Affairs and Int’l Travel – Travel Grant
2005 Canada Council for the Arts – Travel Grant
2004 Jutra Nomination for best Animation: Two Eastern Hair Lines
Canada Council for the Arts – Completion Grant
Images film and Video Festival Commission – Shaving Shania
2003 I Castelli Animate Film Festival- Best Abstract Short Film: Cameras Take Five
Department of Foreign Affairs and Int’l Travel – Travel Grant
Canada Council for the Arts – Travel Grant
Images film and Video Festival Commission - Minuet
2002 Montreal Jewish Student Film Festival: - Best Experimental film: Ditty Dot Comma
Retrospectives:
Sept 2016 "Masterclass: Steven Woloshen" - 2016 Festival Animasivo - Mexico City
July 2016 "Profile: Steven Woloshen" - 2016 Fest Anča - Zilina, Slovakia
March 2016 "Absolutely Abstract in Lisbon" - 2016 Lisbon International Animation Festival
October 2015 “Scratch, Crackle and Pop” 2015 Weisbaden Weekend of Animation- Germany
September 2015 “Scratch, Crackle and Pop” 2015 Anima Cordoba Animation Festival - Argentina
October 2014 “Scratch, Crackle and Pop” 2014 London Int’l Animation Festival
August 2014 “The Mechanical Paradise: The Films of Steven Woloshen” - Cine Cycle, Toronto.
July 2014 “Scratchatopia in Poznan” – Animator: The International Festival of Animation -Poznan
March 2014 “Abstractions and Light in North Africa - 2014 FICAM animation Festival, Meknes, Morocco.
March 2013 “Light Tripping: The Films of Steven Woloshen” – U. of Western Ontario/McIntosh Gallery
November 2012 “From McLaren to Woloshen”- 2012 Sommets du cinema d’animation -Montreal
March 2012 “From McLaren to Woloshen” – 2012 Fete L’Amin – Lille, France
March 2012 “Scratchatopia” – Lightcone projection, Paris
October 2011 “Jury Program” – Steven Woloshen – Anim’est, Bucharest, Romania
August 2010 “Technical Focus: Steven Woloshen” – 2010 London Int’l Animation Festival
June 2010 “Technical Focus: Steven Woloshen” – 2010 Melbourne Animation Festival
Feb. 2009 “Steven Woloshen” – 2009 Brussels Animation and Cartoon Festival.
Dec. 2007 “Retrospektiva Stevena Woloshena” - Animateka, Ljubljana.
April 2006 “Steven Woloshen in Person” - Ontario Cinematheque.
Nov. 2005 “Framings, Fluxes” - Canadian Film Institute.
Feb. 2005 Montreal Children’s Film Festival.
Oct. 2002 “Scratchatopia” - Toronto Animated Image Society.
Oct. 2002 “Unsung Heroes of Animation” - Ottawa International Animation Festival.
Feb. 2002 “Carte Blanche a Steven Woloshen” - Cinematheque Quebecois.
Filmmaking Workshops/Artists Talks:
06/2011 Paint and Scratch on Film- Main Film Co-op
10/ 2010 Master class: Steven Woloshen – OIAF
08 /2010 scratch and paint on film - London Int’l Animation Festival
06/ 2010 scratch and paint on film – 2010 Melbourne Animation Festival
05/ 2010 Paint and Scratch on Film - Main Film Co-op.
02/ 2010 Go Big or Go Home: “Strategies of the Medium” – LIFT
06/ 2008 Les Salon Rencontres - Main Film Co – Op.
12/ 2007 Scratchatopia in Ljubljana, Slovenia.
06/ 2006 Scratchatopia at the South West Alternative Media Project.
04/ 2006 Scratchatopia at the Toronto Animated Image Society.
11/ 2005 IFCO Film Co-op.
06/ 2003 Annecy International Animation Festival.
10/ 2002 Toronto Animated Image Society.
1984 - present John Abbott College - Mel Hoppenhiem School of Cinema -
DVD Compilations and Publishing:
Recipes for Reconstruction – Scratchatopia Books. Montreal. 2010.
Eleven In Motion – DVD: “Playtime”. Toronto Animated Image Society. Toronto. 2010
Volatile Materials - DVD National Film Board of Canada – “Cameras Take Five”
Best of the 2008 London Int’l Animation Fest - DVD– “Changing Evan” London. 2008
Made by Hand – DVD Canadian Filmmakers Distribution Centre – “Two Eastern Hair Lines”
Spotlight Series: Steven Woloshen –DVD Canadian Filmmakers Distribution Centre
The Sharpest Point: Animation at the End of Cinema ed. Chris Gehman, p.175. 256 -258
Animation Show of Shows- DVD vol. 6, Acme Filmworks. Los Angeles. 2005.
Permanent Collections:
Concordia University Quickdraw Animation Society Netherlands Filmmuseum New Zealand School of Art and Design The Squeaky Wheel Collective Art Institute of Chicago The Center for Visual Music Duke University Library Cinematheque Quebecoise Animation Journal Pixar Animation Studios Animation World Network Lightcone University of Waikato, New Zealand Emily Carr School of Art and Design York University
Juries:
2011 Romanian, Balkanimation &Student competition – Anim’est, Romania
2010 Australian competition- Melbourne International Animation Festival
2010 International competition- London International Animation Festival
2006 Genie Nomination Committee
2006 Montreal Super -8 Film Festival
2005 Genie Nomination Committee
2004 Montreal Super -8 Film Festival
Added by Steven Woloshen
Posted on June 27, 2014 at 5:03pm
Posted on April 2, 2013 at 8:33am
RECIPES FOR RECONSTRUCTION: THE COOKBOOK FOR THE FRUGAL FILMMAKER NOW AVAILABLE
************* NOW IN IT’S 3RD PRESSING************************************
Veteran animator and filmmaker, Steven Woloshen is pleased to announce the publication of the second edition of “Recipes for Reconstruction: The Cookbook for the Frugal Filmmaker.” This book introduces a variety of simple artistic strategies…
Posted on November 20, 2011 at 7:00am
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