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In metagraphyc´s, items do not represent sounds but are facilitators of the
target reading and make sense of the full speech (AUDIO-GRAPHICS-MOTION),
allowing access to their understanding consistently.
Since both are: EXPRESSION-COMMUNICATION-RELATIONSHIP-knowledge and training.
Keep in mind that there is a correspondence between incorrespondencia or
not the assigned parameters or constituents of sound, graphics and
movement, at the time of display or graphical representation goal.
This process is complex.
Motor patterns are different when you play an instrument, when you draw or
paint and when you think.
Worse, not only at the engine but in terms of psychomotor skills.
The junction is the saccade, which would be the criteria that apply to
motor actions, insist on being different each of these actions.
To this must be added that perceptual information after suffering two new
working-reviews-The impression is a result of inter-sensory experience
and a subsequent afectat or adopting findings integrating past experiences
in an orderly and organized, justified, substantiated and planned.
After this happens the generation of meaning production through the
construction of new sound materials (composition).
These considerations apply to processing of sound
materials-graphic-engine-META CONTENT.
As for the parameters: the segments (see
examples.www.inter-modal.org-Videos & Graphics)
-Length
-Width
-Speed
-Address
-Location-onset, maintenance, go out of.
This is where defining the internal structural and functional relationships.
It is not every note has a color intensity that is assigned to that
structure or musical sequence., Consisting notas.Las different intensities
of color must be understood as references o attributes that will be part
of that intrinsic network of relations and comprehensive set of material
for musical sound goal (META PROCESS). It only takes a minimum of
approximately 125 notes for the toal and 25 notes for each sequence and
may reach 625 on a sample total.En optima, for this material to give rise
to a functioning conducive or productive goal interprocess or process.

STEPS OF META PROCESS

ADVANTAGE SOUSTAINING APPEARANCE PRESENCE SUPPORT
ADQUISICIÓN DEVELOPEMENTAUTOMATIC OPERATIVE VALIDATION
CONCEPT DATA TERM UNIT CONTENT
REFERENCE SENSE PRETEXT SUPPORT ELEMENTS
STAY SENDING TRANSMISSION FUNCTION VALUE
Construction of a soundtrack, its appearance could be understood simply by
hear it (appears), if they continue to recognize this is sustained
(Sustaining), if we perceive consciously than it sounds and what happens
becomes relevant because (Presence). If we reach
understand or comprehend its structure constitutes the notion of
(Vantage) and whether these notions derived store for later use
potential, we enter the phase of (reserve).

COORDINATE- META SPACE

Of particular interest is the examination of the functional value takes the
metariales engines that must be judged as a whole and in context or
framework that assumes the very course of conduct to be considered.
Above:
Effort, asceticism, impulse, rise.
Below:
Unsustainable, decline, retirement, relaxation.
Forward:
Avance, better continuity, he adds, wide.
Back:
Short, withdrawal, brake, lack, absence ..
Diagonal:
Offset, missing, more or less intensity depending on the position and
direction or trend.
It is defined by location on the quadrant.
Heading Up: Approach.
Towards the rear: Distancing

Antonio Brech

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