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Fado Visual: “Towards a popular, cosmopolitan and universal music for our time”

Progressive and experimental and carefree character, that is a little rebellious and distanced himself from all the conventional and stereotyped.
The methodology is the visual inspiration what makes it different, since the process of composition is repentizado finally this results in the works of visual fado not necessarily have to resemble each other
Background of emergence of new forms of thought and sensitivity.
In the visual Fado the role of ethics and aesthetics, is replaced by the legality instrumental level, patterns of behavior sono-visual character, giving this approach a function of a renewal addition to the repertoire of schemes also the motivations and sense about understanding and management of a Meta reality.
In addition to its process of composition and performance in a group, called META, the use of the System Software SIGCA-integrated knowledge management is perhaps the main feature of this movement.
It is a tool designed to facilitate research and experimentation with new forms of activity and experience and the development of material manifestations based on a General Theory of Graphic Design (Integrafia-Psicosonografia).
Its presentation format is the sono-graphic animation with an unconventional dynamics itself.
This gives the visual Fado a privileged position, as a form of expression, communication, relationship, knowledge and training in the socio-cultural and educational current and future speech.
Antonio Brech: Psicopedagóghyc Advisor, International Artecittà -Head Foundation Programs work: Sinlogyc and Interfado-Conceptor Software SIGCA and promoter of movement for Visual Fado.

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