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This work composed in 1998 focuses on integrating Classical & Jazz traditions, in particular early Blues. Stylistically, it sounds very much like a Blues-Jazz, but is composed with a 12-tone methodology with its interval logic having been reconfigured holistically from the original intervals within the piece making it a part of my series of 3rd stream compositions. All of these Kaleidoscopic pieces can be thought of also as variations on the original composition.

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