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This movie was produced as a collaboration between the scratch film maker Rey Parla and digital movie maker Michael Betancourt. It developed from several years of discussions about collaborating on a project, and finally began when Parla sent a drive with material to Betancourt in the summer of 2011, which he then combined with some of his own material. The finished movie is a dialogue between their approaches and techniques, combining scratch, glitch, analog processing and digital compositing to create a hybrid.

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