All Videos Tagged visualizer (The Visual Music Village) - The Visual Music Village2024-03-29T13:03:04Zhttp://visualmusic.ning.com/video/video/listTagged?tag=visualizer&rss=yes&xn_auth=noThe Bells (1977) Version 2tag:visualmusic.ning.com,2010-08-27:2232935:Video:152362010-08-27T23:49:35.000ZRickhttp://visualmusic.ning.com/profile/Rick
<a href="http://visualmusic.ning.com/video/the-bells-1977-version-2"><br />
<img alt="Thumbnail" height="180" src="http://storage.ning.com/topology/rest/1.0/file/get/1942565869?profile=original&width=240&height=180" width="240"></img><br />
</a> <br></br>This is the 2nd visualization version of this audio work by myself.<br></br>
<br></br>
This is an example of one of my early electronic works from 1977. It was first completely written out in a graphic score and then realized. The composition's sounds were created using the Studio Buchla 200 series (suitcase) Synthesizer at The Grinnell College Electronic Music Studio. Within the score…
<a href="http://visualmusic.ning.com/video/the-bells-1977-version-2"><br />
<img src="http://storage.ning.com/topology/rest/1.0/file/get/1942565869?profile=original&width=240&height=180" width="240" height="180" alt="Thumbnail" /><br />
</a><br />This is the 2nd visualization version of this audio work by myself.<br />
<br />
This is an example of one of my early electronic works from 1977. It was first completely written out in a graphic score and then realized. The composition's sounds were created using the Studio Buchla 200 series (suitcase) Synthesizer at The Grinnell College Electronic Music Studio. Within the score spatial movement and timber were of equal in importance as compositional parameters while other parameters such as pitch or rhythms were slightly less in significance. The organization of the sounds was accomplished solely by splicing all the sound events together using a splice block and Revox Reel-To-Reel; over 1000 splices were used to assemble the entire composition. It was written as a 3 movement work within a opening & closing audio framework.<br />
<br />
The visualization was created by myself this year 2010, using primarily Artmatic Pro & V-Track software with a few of the textures derived from G-force. Drift/Hypnagogia (Jim Ellis 2006)tag:visualmusic.ning.com,2010-08-26:2232935:Video:152332010-08-26T20:33:40.000ZRickhttp://visualmusic.ning.com/profile/Rick
<a href="http://visualmusic.ning.com/video/drifthypnagogia-jim-ellis-2006"><br />
<img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566014?profile=original&width=240&height=135" width="240" height="135" alt="Thumbnail" /><br />
</a><br />music/anim Jim Ellis 2006
<a href="http://visualmusic.ning.com/video/drifthypnagogia-jim-ellis-2006"><br />
<img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566014?profile=original&width=240&height=135" width="240" height="135" alt="Thumbnail" /><br />
</a><br />music/anim Jim Ellis 2006 Entrance: Jim Ellis (2010)tag:visualmusic.ning.com,2010-08-26:2232935:Video:152302010-08-26T20:30:10.000ZRickhttp://visualmusic.ning.com/profile/Rick
<a href="http://visualmusic.ning.com/video/entrance-jim-ellis-2010"><br />
<img alt="Thumbnail" height="135" src="http://storage.ning.com/topology/rest/1.0/file/get/1942566119?profile=original&width=240&height=135" width="240"></img><br />
</a> <br></br>Entrance: by Jim Ellis<br></br>
<br></br>
It was a correspondence<br></br>
a connection between small children<br></br>
and a previous home<br></br>
<br></br>
The adults<br></br>
desensitized to it<br></br>
solidified perception<br></br>
Youthful directness diminished<br></br>
shifting to fleeting access<br></br>
as the overlapping gaps within the senses<br></br>
A fading point of reference<br></br>
conflicting with…
<a href="http://visualmusic.ning.com/video/entrance-jim-ellis-2010"><br />
<img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566119?profile=original&width=240&height=135" width="240" height="135" alt="Thumbnail" /><br />
</a><br />Entrance: by Jim Ellis<br />
<br />
It was a correspondence<br />
a connection between small children<br />
and a previous home<br />
<br />
The adults<br />
desensitized to it<br />
solidified perception<br />
Youthful directness diminished<br />
shifting to fleeting access<br />
as the overlapping gaps within the senses<br />
A fading point of reference<br />
conflicting with educational lessons<br />
It has become a consensus of weakness<br />
<br />
<br />
vimeo.com/user2466902<br />
facebook.com/jimellis2001<br />
myspace.com/jimellisvisualmusic<br />
<br />
Entrance: copyright Jim Ellis 2010<br />
<br />
Director of Photography Live-Action Elements<br />
(Primary): Ian S. Takahashi<br />
<br />
Director of Photography Live-Action Elements (Secondary): Jim Ellis<br />
<br />
Production Assistant: Branden E. Lymer<br />
<br />
created with: Touch Designer 77, Ableton Live, Yamaha RS7000, Nvidia graphics card Wedding Music (Trance Music 2)tag:visualmusic.ning.com,2010-08-25:2232935:Video:151972010-08-25T19:01:46.000ZRickhttp://visualmusic.ning.com/profile/Rick
<a href="http://visualmusic.ning.com/video/wedding-music-trance-music-2"><br />
<img alt="Thumbnail" height="180" src="http://storage.ning.com/topology/rest/1.0/file/get/1942565626?profile=original&width=240&height=180" width="240"></img><br />
</a> <br></br>This work was commissioned by Nathaniel Borenstein for his wife Trina on the occasion of their 20th wedding anniversary in 1996. Music and visualization were created by myself of course.<br></br>
<br></br>
Composed by Richard Byron Strunk<br></br>
Learn more at…
<a href="http://visualmusic.ning.com/video/wedding-music-trance-music-2"><br />
<img src="http://storage.ning.com/topology/rest/1.0/file/get/1942565626?profile=original&width=240&height=180" width="240" height="180" alt="Thumbnail" /><br />
</a><br />This work was commissioned by Nathaniel Borenstein for his wife Trina on the occasion of their 20th wedding anniversary in 1996. Music and visualization were created by myself of course.<br />
<br />
Composed by Richard Byron Strunk<br />
Learn more at RicksEnterprises.com The Bellstag:visualmusic.ning.com,2010-08-25:2232935:Video:151882010-08-25T18:43:23.000ZRickhttp://visualmusic.ning.com/profile/Rick
<a href="http://visualmusic.ning.com/video/the-bells"><br />
<img alt="Thumbnail" height="180" src="http://storage.ning.com/topology/rest/1.0/file/get/1942565445?profile=original&width=240&height=180" width="240"></img><br />
</a> <br></br>This is an example of one of my early electronic works from 1977. It was first completely written out in a graphic score and then realized. The composition's sounds were created using the Studio Buchla 200 series (suitcase) Synthesizer at The Grinnell College Electronic Music Studio. Within the score spatial movement and timber were of equal in importance as compositional parameters while other…
<a href="http://visualmusic.ning.com/video/the-bells"><br />
<img src="http://storage.ning.com/topology/rest/1.0/file/get/1942565445?profile=original&width=240&height=180" width="240" height="180" alt="Thumbnail" /><br />
</a><br />This is an example of one of my early electronic works from 1977. It was first completely written out in a graphic score and then realized. The composition's sounds were created using the Studio Buchla 200 series (suitcase) Synthesizer at The Grinnell College Electronic Music Studio. Within the score spatial movement and timber were of equal in importance as compositional parameters while other parameters such as pitch or rhythms were slightly less in significance. The organization of the sounds was accomplished solely by splicing all the sound events together using a splice block and Revox Reel-To-Reel; over 1000 splices were used to assemble the entire composition. It was written as a 3 movement work.