2024-05-08T01:40:51Z http://visualmusic.ning.com/video/video/listTagged?tag=part4&rss=yes&xn_auth=no tag:visualmusic.ning.com,2009-12-17:2232935:Video:12260 2009-12-17T15:33:31.000Z Bruno Mathez http://visualmusic.ning.com/profile/BrunoMathez

<a href="http://visualmusic.ning.com/video/photophonics-02-tilt"><br /> <img alt="Thumbnail" height="96" src="http://storage.ning.com/topology/rest/1.0/file/get/1942564152?profile=original&amp;width=240&amp;height=96" width="240"></img><br /> </a> <br></br>Photophonics is the result of the collaboration between Mike Blow and I.<br></br> <br></br> This version of Photophonics is exploring the infinite potential of the visuals aspects of repetitive music.<br></br> <br></br> The inspiration for this sequence is Steve Reich's "Drumming part4". Although the sounds being used are not percussion sounds like in Reich's piece, but more 6o's synthetisers type of…

<a href="http://visualmusic.ning.com/video/photophonics-02-tilt"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942564152?profile=original&amp;width=240&amp;height=96" width="240" height="96" alt="Thumbnail" /><br /> </a><br />Photophonics is the result of the collaboration between Mike Blow and I.<br /> <br /> This version of Photophonics is exploring the infinite potential of the visuals aspects of repetitive music.<br /> <br /> The inspiration for this sequence is Steve Reich's "Drumming part4". Although the sounds being used are not percussion sounds like in Reich's piece, but more 6o's synthetisers type of sounds.<br /> <br /> In repetitive music the arrangements of repetitive loops, building up progressively to an ecstatic dimension, have a very clear geometrical identity. In some ways, you can almost see this geometry just by listening to the music itself. Building a system that plays both sounds and visuals to play repetitive music gives a spatial identity to an "already spatial" music...with your eyes open!<br /> <br /> When you watch the video, we suggest that you watch it from beginning to end. Don't fast forward, as like repetitive music, you need to experience the building-up to fully appreciate the sequence.<br /> <br /> The installation was shown during the TILT exhibition at Bash Creations Gallery<br /> tiltcollective.com