2024-05-05T00:49:48Z http://visualmusic.ning.com/video/video/listTagged?tag=composer&rss=yes&xn_auth=no tag:visualmusic.ning.com,2012-06-29:2232935:Video:45756 2012-06-29T21:30:23.383Z Diego Delmar http://visualmusic.ning.com/profile/DiegoDelmar

<a href="http://visualmusic.ning.com/video/terminal"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571332?profile=original&amp;width=240&amp;height=180" width="240" height="180" alt="Thumbnail" /><br /> </a><br />Fanfarrosa is a mexican composer that constructed the musical piece. The music was then passed to Diego Delmar to live mix it and record it.

<a href="http://visualmusic.ning.com/video/terminal"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571332?profile=original&amp;width=240&amp;height=180" width="240" height="180" alt="Thumbnail" /><br /> </a><br />Fanfarrosa is a mexican composer that constructed the musical piece. The music was then passed to Diego Delmar to live mix it and record it. tag:visualmusic.ning.com,2010-08-27:2232935:Video:15236 2010-08-27T23:49:35.000Z Rick http://visualmusic.ning.com/profile/Rick

<a href="http://visualmusic.ning.com/video/the-bells-1977-version-2"><br /> <img alt="Thumbnail" height="180" src="http://storage.ning.com/topology/rest/1.0/file/get/1942565869?profile=original&amp;width=240&amp;height=180" width="240"></img><br /> </a> <br></br>This is the 2nd visualization version of this audio work by myself.<br></br> <br></br> This is an example of one of my early electronic works from 1977. It was first completely written out in a graphic score and then realized. The composition's sounds were created using the Studio Buchla 200 series (suitcase) Synthesizer at The Grinnell College Electronic Music Studio. Within the score…

<a href="http://visualmusic.ning.com/video/the-bells-1977-version-2"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942565869?profile=original&amp;width=240&amp;height=180" width="240" height="180" alt="Thumbnail" /><br /> </a><br />This is the 2nd visualization version of this audio work by myself.<br /> <br /> This is an example of one of my early electronic works from 1977. It was first completely written out in a graphic score and then realized. The composition's sounds were created using the Studio Buchla 200 series (suitcase) Synthesizer at The Grinnell College Electronic Music Studio. Within the score spatial movement and timber were of equal in importance as compositional parameters while other parameters such as pitch or rhythms were slightly less in significance. The organization of the sounds was accomplished solely by splicing all the sound events together using a splice block and Revox Reel-To-Reel; over 1000 splices were used to assemble the entire composition. It was written as a 3 movement work within a opening &amp; closing audio framework.<br /> <br /> The visualization was created by myself this year 2010, using primarily Artmatic Pro &amp; V-Track software with a few of the textures derived from G-force. tag:visualmusic.ning.com,2010-08-26:2232935:Video:15233 2010-08-26T20:33:40.000Z Rick http://visualmusic.ning.com/profile/Rick

<a href="http://visualmusic.ning.com/video/drifthypnagogia-jim-ellis-2006"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566014?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />music/anim Jim Ellis 2006

<a href="http://visualmusic.ning.com/video/drifthypnagogia-jim-ellis-2006"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566014?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />music/anim Jim Ellis 2006 tag:visualmusic.ning.com,2010-08-26:2232935:Video:15230 2010-08-26T20:30:10.000Z Rick http://visualmusic.ning.com/profile/Rick

<a href="http://visualmusic.ning.com/video/entrance-jim-ellis-2010"><br /> <img alt="Thumbnail" height="135" src="http://storage.ning.com/topology/rest/1.0/file/get/1942566119?profile=original&amp;width=240&amp;height=135" width="240"></img><br /> </a> <br></br>Entrance: by Jim Ellis<br></br> <br></br> It was a correspondence<br></br> a connection between small children<br></br> and a previous home<br></br> <br></br> The adults<br></br> desensitized to it<br></br> solidified perception<br></br> Youthful directness diminished<br></br> shifting to fleeting access<br></br> as the overlapping gaps within the senses<br></br> A fading point of reference<br></br> conflicting with…

<a href="http://visualmusic.ning.com/video/entrance-jim-ellis-2010"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566119?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />Entrance: by Jim Ellis<br /> <br /> It was a correspondence<br /> a connection between small children<br /> and a previous home<br /> <br /> The adults<br /> desensitized to it<br /> solidified perception<br /> Youthful directness diminished<br /> shifting to fleeting access<br /> as the overlapping gaps within the senses<br /> A fading point of reference<br /> conflicting with educational lessons<br /> It has become a consensus of weakness<br /> <br /> <br /> vimeo.com/user2466902<br /> facebook.com/jimellis2001<br /> myspace.com/jimellisvisualmusic<br /> <br /> Entrance: copyright Jim Ellis 2010<br /> <br /> Director of Photography Live-Action Elements<br /> (Primary): Ian S. Takahashi<br /> <br /> Director of Photography Live-Action Elements (Secondary): Jim Ellis<br /> <br /> Production Assistant: Branden E. Lymer<br /> <br /> created with: Touch Designer 77, Ableton Live, Yamaha RS7000, Nvidia graphics card tag:visualmusic.ning.com,2010-08-25:2232935:Video:15216 2010-08-25T19:14:26.000Z Rick http://visualmusic.ning.com/profile/Rick

<a href="http://visualmusic.ning.com/video/entrance-jim-ellis-2010"><br /> <img alt="Thumbnail" height="135" src="http://storage.ning.com/topology/rest/1.0/file/get/1942566119?profile=original&amp;width=240&amp;height=135" width="240"></img><br /> </a> <br></br>This work composed in 1998 focuses on integrating Classical &amp; Jazz traditions, in particular early Blues. Stylistically, it sounds very much like a Blues-Jazz, but is composed with a 12-tone methodology with its interval logic having been reconfigured holistically from the original intervals within the piece making it a part of my series of 3rd stream compositions. All of these…

<a href="http://visualmusic.ning.com/video/entrance-jim-ellis-2010"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566119?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />This work composed in 1998 focuses on integrating Classical &amp; Jazz traditions, in particular early Blues. Stylistically, it sounds very much like a Blues-Jazz, but is composed with a 12-tone methodology with its interval logic having been reconfigured holistically from the original intervals within the piece making it a part of my series of 3rd stream compositions. All of these Kaleidoscopic pieces can be thought of also as variations on the original composition.