All Videos Tagged acousmatic (The Visual Music Village) - The Visual Music Village 2024-04-27T23:15:33Z http://visualmusic.ning.com/video/video/listTagged?tag=acousmatic&rss=yes&xn_auth=no idrioema - defracta _ extracts tag:visualmusic.ning.com,2012-05-03:2232935:Video:44257 2012-05-03T18:08:47.183Z idrioema http://visualmusic.ning.com/profile/idrioema <a href="http://visualmusic.ning.com/video/idrioema-defracta-extracts"><br /> <img alt="Thumbnail" height="135" src="http://storage.ning.com/topology/rest/1.0/file/get/1942571575?profile=original&amp;width=240&amp;height=135" width="240"></img><br /> </a> <br></br>The present composition defractea from the Latin word "diffractus" is focused on a particular phenomenon of the sound: the diffraction.<br></br> <br></br> It happens all the time that somehow something restricts or obstructs a wavefront.<br></br> When a wave encounters an obstacle in his way or is forced to pass through a small crack, it takes advantage of his ability to shatter and to… <a href="http://visualmusic.ning.com/video/idrioema-defracta-extracts"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571575?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />The present composition defractea from the Latin word "diffractus" is focused on a particular phenomenon of the sound: the diffraction.<br /> <br /> It happens all the time that somehow something restricts or obstructs a wavefront.<br /> When a wave encounters an obstacle in his way or is forced to pass through a small crack, it takes advantage of his ability to shatter and to reconstruct, scattering, beyond the obstacle or the slit.<br /> <br /> In this regard, for the composition, the sound recordings have been made in the internal staircases of two buildings with architectural structures and properties very different from each other in which it was possible to pick up the sounds coming from the apartments, windows and doors and then be extrapolated from their original space-time context and subsequently processed and overlapping such as debris of resonances, highlighting the harmonic components for the construction of a third spatial structure.<br /> <br /> defracta:<br /> Intolerance of limit<br /> for absolution of the absolute<br /> <br /> audio track: <a href="http://soundcloud.com/idrioema/idrioema-defracta-extracts">http://soundcloud.com/idrioema/idrioema-defracta-extracts</a><br /> <br /> idrioema © 2012<br /> <br /> <a href="http://www.idrioema.tk">www.idrioema.tk</a> idrioema - defracta _ preview tag:visualmusic.ning.com,2012-04-24:2232935:Video:44531 2012-04-24T19:06:37.813Z idrioema http://visualmusic.ning.com/profile/idrioema <a href="http://visualmusic.ning.com/video/idrioema-defracta-preview"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571359?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />idrioema © 2012<br /> <br /> <a href="http://www.idrioema.tk">www.idrioema.tk</a> <a href="http://visualmusic.ning.com/video/idrioema-defracta-preview"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571359?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />idrioema © 2012<br /> <br /> <a href="http://www.idrioema.tk">www.idrioema.tk</a> idrioema - syntaxea tag:visualmusic.ning.com,2012-04-24:2232935:Video:44630 2012-04-24T19:05:37.170Z idrioema http://visualmusic.ning.com/profile/idrioema <a href="http://visualmusic.ning.com/video/idrioema-syntaxea"><br /> <img alt="Thumbnail" height="135" src="http://storage.ning.com/topology/rest/1.0/file/get/1942571371?profile=original&amp;width=240&amp;height=135" width="240"></img><br /> </a> <br></br>The present composition is focused on the concept of language, primarily on it's written and oral form.<br></br> Every language, whether written or oral, contains symbols and its own distinctive sounds that distinguish it from others by providing a specific identity and hence uniqueness.<br></br> <br></br> Syntax has the meaning of order and this order is dictated by the syntactic composition model… <a href="http://visualmusic.ning.com/video/idrioema-syntaxea"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571371?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />The present composition is focused on the concept of language, primarily on it's written and oral form.<br /> Every language, whether written or oral, contains symbols and its own distinctive sounds that distinguish it from others by providing a specific identity and hence uniqueness.<br /> <br /> Syntax has the meaning of order and this order is dictated by the syntactic composition model adopted.<br /> To order, therefore, different languages ​​by means of a unique syntax of composition, paradoxically lead not only to a sort of hybridization but also to a highlighting of the different symbolic and sonorous variables of the individual languages ​​involved.<br /> <br /> In this regard, a poem has been translated into different languages and then has been processed using the same programming language, typical of Internet browsers, leading to build a horizontal babel with the vain purpose of standardize the comunication.<br /> This construction is destined to collapse by the structure used as insufficient and inappropriate to the assumption and contrary to its own intrinsic value in the diversity of its components because it tends to destroy both the form and substance of symbols and original meanings.<br /> <br /> communication without communicability: silence<br /> <br /> The sounds used are the result of the conversion of text using speech synthesizers and their following transformations.<br /> <br /> audio track: <a href="http://soundcloud.com/idrioema/idrioema-syntaxea">http://soundcloud.com/idrioema/idrioema-syntaxea</a><br /> <br /> idrioema © 2012<br /> <br /> <a href="http://www.idrioema.tk">www.idrioema.tk</a><br /> <br /> Note: Watch it in HD fullscreen mode. Diffraction tag:visualmusic.ning.com,2012-04-13:2232935:Video:44332 2012-04-13T09:53:53.019Z Dave Payling http://visualmusic.ning.com/profile/davepayl <a href="http://visualmusic.ning.com/video/diffraction"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571381?profile=original&amp;width=240&amp;height=133" width="240" height="133" alt="Thumbnail" /><br /> </a><br />Exploring the relationship between rain and noise, pure tones and brightness, sound textures and colour space. This is a piece of visual music with a deliberate coherence between sound and image <a href="http://visualmusic.ning.com/video/diffraction"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571381?profile=original&amp;width=240&amp;height=133" width="240" height="133" alt="Thumbnail" /><br /> </a><br />Exploring the relationship between rain and noise, pure tones and brightness, sound textures and colour space. This is a piece of visual music with a deliberate coherence between sound and image idrioema - vertea _ extracts tag:visualmusic.ning.com,2012-02-21:2232935:Video:42230 2012-02-21T19:10:06.298Z idrioema http://visualmusic.ning.com/profile/idrioema <a href="http://visualmusic.ning.com/video/idrioema-vertea-extracts"><br /> <img alt="Thumbnail" height="135" src="http://storage.ning.com/topology/rest/1.0/file/get/1942571138?profile=original&amp;width=240&amp;height=135" width="240"></img><br /> </a> <br></br>Volumetric debris in discordant spatialities<br></br> hover alleviating halos of margin<br></br> pulling veils of referential shades<br></br> for the weaving of constants propagations symmetrically bright<br></br> <br></br> absolute<br></br> <br></br> To perceive the space, means to perceive the geometric characters of things and our orientation in it is unavoidably conditioned by reference points.… <a href="http://visualmusic.ning.com/video/idrioema-vertea-extracts"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942571138?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />Volumetric debris in discordant spatialities<br /> hover alleviating halos of margin<br /> pulling veils of referential shades<br /> for the weaving of constants propagations symmetrically bright<br /> <br /> absolute<br /> <br /> To perceive the space, means to perceive the geometric characters of things and our orientation in it is unavoidably conditioned by reference points.<br /> So finding us in a vast sea of white light or in total darkness, with no discernible borders and references, we would be completely unable to orient ourselves and to establish our position in it.<br /> <br /> For the present composition have been recorded and used only the sounds of a steel tube, a glass sphere, a pendulum and skin to symbolize both the instability and the quest for balance.<br /> <br /> knowledge draws a spiral<br /> which center is established by perception<br /> <br /> idrioema © 2012<br /> <br /> <a href="http://www.idrioema.tk">www.idrioema.tk</a>