2024-04-25T00:58:45Z http://visualmusic.ning.com/video/video/listForContributor?screenName=2k8z6cyxfrp3v&rss=yes&xn_auth=no tag:visualmusic.ning.com,2010-07-01:2232935:Video:14871 2010-07-01T20:07:44.000Z Jeremy Speed Schwartz http://visualmusic.ning.com/profile/JeremySpeedSchwartz

<a href="http://visualmusic.ning.com/video/ornament-3"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566252?profile=original&amp;width=240&amp;height=159" width="240" height="159" alt="Thumbnail" /><br /> </a><br />An abstract work based on the techniques of Adam Beckett. A 5-frame pixilation sequence composited into abstraction. The result is structural, mechanical and sometimes skeletal.

<a href="http://visualmusic.ning.com/video/ornament-3"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942566252?profile=original&amp;width=240&amp;height=159" width="240" height="159" alt="Thumbnail" /><br /> </a><br />An abstract work based on the techniques of Adam Beckett. A 5-frame pixilation sequence composited into abstraction. The result is structural, mechanical and sometimes skeletal. tag:visualmusic.ning.com,2009-08-17:2232935:Video:9528 2009-08-17T22:06:07.000Z Jeremy Speed Schwartz http://visualmusic.ning.com/profile/JeremySpeedSchwartz

<a href="http://visualmusic.ning.com/video/daemon-irrepit-callidus"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942562900?profile=original&amp;width=240&amp;height=159" width="240" height="159" alt="Thumbnail" /><br /> </a><br />A short experiment. Originally scratched into 35mm film.<br /> <br /> Made from the point of view of a performer of the music, with attention paid to breath markings and technique

<a href="http://visualmusic.ning.com/video/daemon-irrepit-callidus"><br /> <img src="http://storage.ning.com/topology/rest/1.0/file/get/1942562900?profile=original&amp;width=240&amp;height=159" width="240" height="159" alt="Thumbnail" /><br /> </a><br />A short experiment. Originally scratched into 35mm film.<br /> <br /> Made from the point of view of a performer of the music, with attention paid to breath markings and technique